Toutes peintures ā l'huile d'Jean-Leon Gerome


ID Image Painting(From A to Z)    Details 
82960  
Jean-Leon Gerome, A Muezzin Calling from the Top of a Minaret the Faithful to Prayer
 
 A Muezzin Calling from the Top of a Minaret the Faithful to Prayer   Date 1879(1879) Medium Oil on canvas Dimensions (91.4 x 66 cm) cjr
81830  
Jean-Leon Gerome, After the Bath
 
 After the Bath   Medium English: Oil on canvas Dimensions English: 82.6 x 66.7 cm cjr
61826  
Jean-Leon Gerome, Arabs Crossing the Desert
 
 Arabs Crossing the Desert   1870. Oil on panel. 16.25 x 22 in. (41.2 x 56cm(. Najd Collection. Courtesy Mathaf Gallery, London.
81590  
Jean-Leon Gerome, Arabs Crossing the Desert
 
 Arabs Crossing the Desert   Date 1870(1870) Source Oil on canvas cjr
93556  
Jean-Leon Gerome, Bashi-Bazouk Chieftain
 
 Bashi-Bazouk Chieftain   1881(1881) Medium Oil cjr
67152  
Jean-Leon Gerome, Black Bashi-Bazouk
 
 Black Bashi-Bazouk   Year c. 1869 Technique Oil on canvas Dimensions 31 7/8 x 25 7/8 inches (81 x 66 cm)
90743  
Jean-Leon Gerome, Bonaparte Before the Sphinx
 
 Bonaparte Before the Sphinx   1867-1868 Medium : Oil on canvas cjr
82928  
Jean-Leon Gerome, Diogenes
 
 Diogenes   1860(1860) Medium Oil on canvas cyf
82636  
Jean-Leon Gerome, Egyptian Recruits Crossing the Desert
 
 Egyptian Recruits Crossing the Desert   Date 1857(1857) Source Oil on panel cjr
83286  
Jean-Leon Gerome, Egyptian water carrier.
 
 Egyptian water carrier.   Date ca. 1882(1882) Medium Oil on canvas cjr
67151  
Jean-Leon Gerome, Eminence grise
 
 Eminence grise   Description G??rôme Eminence grise 1873.jpg Oil painting of the Grey Eminence, François Leclerc du Tremblay, the right-hand man of Cardinal Richelieu Date 1873
31089  
Jean-Leon Gerome, Esclave a vendre
 
 Esclave a vendre   mk71 1873 Toile H.2.17 L.1.42 Musee d'Art et d'Industrie Andre Diligent ,de Roubaix
91772  
Jean-Leon Gerome, General Bonaparte in Kairo
 
 General Bonaparte in Kairo   c. 1863(1863) Medium oil on panel cjr
69942  
Jean-Leon Gerome, Gerome Eminence grise
 
 Gerome Eminence grise   Oil painting of the Grey Eminence, Francois Leclerc du Tremblay, the right-hand man of Cardinal Richelieu
59051  
Jean-Leon Gerome, Harem baths
 
 Harem baths   Harem baths
40024  
Jean-Leon Gerome, Interior of a Mosque
 
 Interior of a Mosque   mk155 undated Oil on canvas 22x31cm
59046  
Jean-Leon Gerome, is the immediate source of the thumbs down gesture in popular culture. It is owned by Phoenix Art Museum.
 
 is the immediate source of the thumbs down gesture in popular culture. It is owned by Phoenix Art Museum.   Pollice Verso by Jean-L??on G??rôme, 1872, is the immediate source of the "thumbs down" gesture in popular culture. It is owned by Phoenix Art Museum.
66522  
Jean-Leon Gerome, Jeunes Grecs Faisant battre des coqus
 
 Jeunes Grecs Faisant battre des coqus   Oil on canvas 1846
71807  
Jean-Leon Gerome, Jeunes Grecs Faisant battre des coqus
 
 Jeunes Grecs Faisant battre des coqus   Date 1846
83169  
Jean-Leon Gerome, King Candaules
 
 King Candaules   Date 1859(1859) Medium Oil on canvas Dimensions 67.3 x 99 cm (26.5 x 39 in) cjr
96851  
Jean-Leon Gerome, King Candaules
 
 King Candaules   1859(1859) Medium oil on canvas Dimensions 67 X 100.1 cm cyf
27662  
Jean-Leon Gerome, L Eminence grise
 
 L Eminence grise   mk58 1873 oil on canvas 68.6x101cm Museum of Fine Arts,Boston
82637  
Jean-Leon Gerome, Markos Botsaris
 
 Markos Botsaris   Date 1874(1874) Medium Oil on canvas cjr
96675  
Jean-Leon Gerome, Mulher do xale verde
 
 Mulher do xale verde   oil on canvas Dimensions 81.3 X 60.3 cm cyf
91287  
Jean-Leon Gerome, Nude girl
 
 Nude girl   1886(1886) Medium oil on canvas cjr
39950  
Jean-Leon Gerome, Oedipus,or General Bonaparte in Egypt
 
 Oedipus,or General Bonaparte in Egypt   mk155 1867-1868 Oil on canvas 30.2x45.6cm
38189  
Jean-Leon Gerome, Painting Breathes Life Into Sculpture
 
 Painting Breathes Life Into Sculpture   mk29 1893 Oil on canvas 50.2x68.9cm
77805  
Jean-Leon Gerome, Painting Breathes Life into Sculpture
 
 Painting Breathes Life into Sculpture   ca. 1893(1893) Oil on canvas cjr
86653  
Jean-Leon Gerome, Pelt Merchant of Cairo
 
 Pelt Merchant of Cairo   Date 1869(1869) Medium Oil on canvas Dimensions (61.5 x 50 cm) cjr
59049  
Jean-Leon Gerome, Phryne before the Areopagus,
 
 Phryne before the Areopagus,   Phryne before the Areopagus, 1861
27665  
Jean-Leon Gerome, Pollice Verso
 
 Pollice Verso   mk58 1872 oil on canvas 97.5x146.7cm Phoenix Art Museum
80151  
Jean-Leon Gerome, Pollice Verso
 
 Pollice Verso   1872 Oil on canvas cjr
38937  
Jean-Leon Gerome, Pool in a Harem
 
 Pool in a Harem   mk142 ca.1876 Oil on canvas
59050  
Jean-Leon Gerome, Reception of Le Grand Conde at Versailles
 
 Reception of Le Grand Conde at Versailles   Reception of Le Grand Conde at Versailles (1878)
32591  
Jean-Leon Gerome, Recreation by our Gallery
 
 Recreation by our Gallery   mk79 About 1890
93775  
Jean-Leon Gerome, Slave Market in Rome
 
 Slave Market in Rome   Date circa 1884(1884) Medium oil on canvas Dimensions Height: 92 cm (36.2 in). Width: 74 cm (29.1 in). TTD
59048  
Jean-Leon Gerome, The Cockfight
 
 The Cockfight   The Cockfight (1846); now in the Mus??e d'Orsay, Paris.
84153  
Jean-Leon Gerome, The Hookah Lighter
 
 The Hookah Lighter   Date c. 1898 Medium Oil on canvas cjr
80625  
Jean-Leon Gerome, The Snake Charmer
 
 The Snake Charmer   "The Snake Charmer", by Jean-Lxon Gxrôme. Oil on canvas; on display at the New Orleans Museum of Art, New Orleans, Louisiana, USA. This is not the classic painting much commented on in studies of Orientalism, but a different painting with the same name and general subject matter. Public domainPublic domainfalsefalse cjr
87036  
Jean-Leon Gerome, Whirling Dervishes
 
 Whirling Dervishes   Date ca. 1895 Medium Oil on canvas Dimensions 72.5 x 94 cm (28.5 x 37 in) cjr

Jean-Leon Gerome
French Academic Painter and Sculptor, 1824-1904 was a French painter and sculptor in the style now known as Academicism. The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits and other subjects, bringing the Academic painting tradition to an artistic climax. Born at Vesoul (Haute-Saône), he went to Paris in 1840 where he studied under Paul Delaroche, whom he accompanied to Italy (1843-1844). He visited Florence, Rome, the Vatican and Pompeii, but he was more attracted to the world of nature. Taken by a fever, he was forced to return to Paris in 1844. On his return he followed, like many other students of Delaroche, into the atelier of Charles Gleyre and studied there for a brief time. He then attended the Ecole des Beaux-Arts. In 1846 he tried to enter the prestigious Prix de Rome, but failed in the final stage because his figure drawing was inadequate. He tried to improve his skills by painting The Cockfight (1846), an academic exercise depicting a nude young man and a lightly draped girl with two fighting cocks and in the background the Bay of Naples. He sent this painting to the Salon of 1847, where it gained him a third-class medal. This work was seen as the epitome of the Neo-Grec movement that had formed out of Gleyre's studio (such as Henri-Pierre Picou (1824-1895) and Jean-Louis Hamon), and was championed by the influential French critic Theophile Gautier. G??rôme abandoned his dream of winning the Prix de Rome and took advantage of his sudden success. His paintings The Virgin, the Infant Jesus and St John (private collection) and Anacreon, Bacchus and Cupid (Mus??e des Augustins, Toulouse, France) took a second-class medal in 1848. In 1849 he produced the paintings Michelangelo (also called In his studio) (now in private collection) image of the painting and A portrait of a Lady (Mus??e Ingres, Montauban). In 1851 he decorated a vase, later offered by Emperor Napoleon III of France to Prince Albert, now part of the Royal Collection at St. James's Palace, London. He exhibited Bacchus and Love, Drunk, a Greek Interior and Souvenir d'Italie, in 1851; Paestum (1852); and An Idyll (1853). In 1852 G??rôme received a commission by Alfred Emilien Comte de Nieuwerkerke, Surintendant des Beaux-Arts to the court of Napoleon III, for the painting of a large historical canvas, the Age of Augustus image of the painting. In this canvas he combines the birth of Christ with conquered nations paying homage to Augustus. Thanks to a considerable down payment, he was able to travel in 1853 to Constantinople, together with the actor Edmond Got. This would be the first of several travels to the East : in 1854 he made another journey to Turkey and the shores of the Danube, where he was present at a concert of Russian conscripts, making music under the threat of a lash. In 1854 he completed another important commission of decorating the Chapel of St. Jerome in the church of St. S??verin in Paris. His Last communion of St. Jerome in this chapel reflects the influence of the school of Ingres on his religious works. To the exhibition of 1855 he contributed a Pifferaro, a Shepherd, A Russian Concert, The Age of Augustus and Birth of Christ.



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